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Mostly

by Paris Street

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1.
What is missed? What is lost? In a dim and static fog Over-pixelated blocks Are you there? We exist In the dark Face-to-face but world’s apart It has never felt so far Or so unfair And these moments mean so much But they’ll never be enough When the only thing that’s touched Is a screen It’s welcome In a sense A double-edged convenience Reinforces the distance With every call But it’s fun Of course, yes It’s never been any less Cultivates the ardentness Of it all We can be Exhibit A Of that old ‘absence’ cliche Fondness grows but hearts remain Barely seen And these moments mean so much But they’ll never be enough When the only thing that’s touched Is a screen You are missed I am lost In life’s dim and constant fog But I know there’s hope because You are there
2.
Here in this mostly Blissful repose, we Are all that we need Almost through the downtime days In an unfamiliar NorCal haze We set overthoughts aside Turn this ‘not much’ day to a source of pride Here in this mostly Blissful repose, we Are all that we need In this low energy mode The comfort high, the heartbeat slow It might be too much to ask To see how long we can make this moment last Let’s make this moment last Let’s make this moment last We’ll make this moment last We’ll make this moment last Here in this mostly Blissful repose, we Are all that we need
3.
Xmas Eve 03:02
A misfit crew A dinner quick and impromptu By someone who Did not want to eat alone That’s how it went Holiday meal by accident I only meant To drop by and say ‘hello’ On Christmas Eve The last place I thought I would be But fittingly For such an unfitting, dumb year So far from home But nowadays that’s how it goes So make the most With those who happen to be near Afterward, a toast is made A hope for better days For the dark times to finally disappear And let the sunlight through I’ll be grateful if this is Just a one-time thing But if we’re back here next year I’ll be grateful for that, too A misfit bunch Another glass, there’s no real rush A nice surprise An unexpectedly great night
4.
Now Instead 03:56
A delicate distraction In a winter of inaction All the stresses and the bummers Can wait ‘til the breakdown summer When the ending finally comes Will it be a shock to anyone? And I know things aren’t quite as they seem And I know things could change suddenly Let’s just focus on the ‘now’ instead There’s no universe beyond our bed When the ending finally comes Will it be such a shock to anyone? And I know this idyll respite seems Like a tenuous, frail fantasy But let’s focus on the ‘now’ instead There’s no universe beyond our bed
5.
Hollie 02:52
One day it was just me and Hollie at the bar She asked me where’d I’d be traveling next, I said it wouldn’t be too far Just a couple hours south on the 101 By the university . . . where Hollie had once gone Hollie asked me if I knew yet where I was going to stay She had tons of recs for places to go eat and drink and play I welcomed her suggestions, so a list she soon did make Of joints in Pismo, SLO . . . and even Morro Bay I thanked her and asked if there was anything that she would like A pint glass from a favorite bar or a Madonna pie She said it didn’t matter, all that mattered was that I Could use her list to have myself . . . the best possible time Through bad luck and pandemics almost a full year went by ‘Fore I got back to where Hollie was working on that one night But Hollie wasn’t there, she had quit a long while back And no one there knew just where . . . she went after that Later, at a barbeque I ran into an old friend We caught up over drinks and food right before summer’s end I asked him about Hollie, he said, “I’m sorry to say A month ago, her heart went out . . . and Hollie passed away” I never got that pint glass or that Madonna pie I kept the list she gave me, though, I look at it from time to time I’ll always take it with me when I next make my way Down to Pismo, SLO . . . or even Morro Bay

credits

released May 21, 2021

Written and arranged by Carl Polgar.

Performed by Victoria Lynch and Carl Polgar.

Recorded at L Street in Sacramento, California - December 2020 to April 2021.

Mastering: The SoundLAB

Tools, tangible: Chick-ita Shaker, Chopsticks, Cordoba GK Studio Acoustic-Electric Guitar, Ibanez Gio 5-String Bass, Kala Ukulele Bass, Shure SM57, Shure SM58, Wine Glass, Yamada Melodica

Tools, intangible: AmpliTube 4, Audacity, LMMS, SnareBuzz, Reaper

Photo: Paradise's End Over Downtown Sacramento, November 2018

For Hollie,
Entirely

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